Friday, 19 December 2008

CD Review: Owd Ear Records - 14 Songs to Derail Your Zen








Review
by Charlotte Lunt



Owd Ear Records are a gathering of musicians who in various guises have produced a fine collection of ’14 Songs to Derail Your Zen’. The album shows the positively eclectic influences of its creators not simply delivering broad strokes within a comfortable genre, but with the differing groups having distinct sounds.

The album is opened by Tribal Brides of the Amazon’s ‘Better days’ which sets a fast pace and demands attention with just that and the urgency of Jim Mycock’s vocals; before the album takes a distinctly different turn with Sunny No Share’s track 'FOALW', an atmospheric track with distorted vocals and lead by keys.

Herrald Harks deliver a mellower dimension to the album with stand out track ‘Sherriff’, which ambles along with layered vocals and sauntering bass. Being one of the main contributors on the album, their tracks meld together the electronic and guitar driven music favoured by the other contributors providing a more accessible way into the world of Owd Ear.

The other main contributor to the album is Low Key, who delivers charged electronica ranging from discordant and angular on ‘Drinking Smoking Freaks’ where he collaborates with Mar Kee, to the darker grittier character of ‘Economic Sanction’.

A number of the artists appear only once in particular guises such as Poverty & the Vultures, and Sunny no Share each bringing another dimension to the album and showcasing the talent of those involved.

For an album that deliberately sets out to “derail your zen”, this diverse collection of tracks certainly pushes boundaries; that is not to say that it is a mismatch of songs that have no place being together, but more of a deliberately composed selection box of songs that reflect the personalities that make up Owd Ear. It is precisely because of this that ’14 Songs to Derail Your Zen’ is well worth a listen or two, and is available through Owd Ear Recordings.

Also listen: Tribal Brides of the Amazon


Wednesday, 17 December 2008

Regent Theatre, Hanley - Free tickets over next two years.


REGENT THEATRE SELECTED TO TAKE PART IN DCMS FREE THEATRE INITIATIVE


The Regent Theatre, Stoke-on-Trent, is today celebrating the news of a £30,000 boost to get more young theatre goers through its doors.

The news comes from Arts Council England, as part of an announcement of successful applications to the Free Theatre Initiative, which will see 618,000 free theatre tickets given to under 26 year olds across England over the next two years in an attempt to increase young audiences.

The awards were made across three categories – Premium (a £50,000 grant), Standard (£30,000) and Flexible (£10,000) with The Regent Theatre receiving a standard £30,000 award.

Richard Wingate, Chief Executive, Stoke-on-Trent Theatres Ltd said: “Today’s announcement by Arts Council England is fantastic news for the young people of Stoke-on-Trent and we are delighted to have been selected for the Free Theatre Initiative. The Regent Theatre is one of the best touring venues in the UK, and we must applaud the decision to allow youngsters in Stoke-on-Trent the opportunity to experience live theatre, maybe for the very first time. Our inclusion in the initiative also supports the year round hard work of our Creative Learning team, who are already committed to involving members of the local community and beyond.”

The free theatre scheme – which will be named in the New Year – is supported by £2.5 million additional funding to the Arts Council’s core grant from the Department for Culture, Media and Sport. Since its announcement in September, Arts Council England has worked with the sector to finalise parameters for the scheme and to assess applications.

Attendance at arts events traditionally drops in the 18-26 age range and so this initiative is specifically targeted at young adults and their families. It is designed to reach new audiences and develop a new generation of arts attendees.

The scheme will run alongside the successful reduced price schemes for young people which many theatres already operate. Results of the pilot will be carefully monitored and, if successful, it is hoped that the initiative could be extended to other art forms.

The free theatre scheme will go live across the country on 16 February 2009, with a week of special activities at all participating venues. A dedicated web site will be launched in the New Year, providing further details and direct links to book free tickets.

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For further information please contact David Bradbury, Regent Theatre Press Officer on 07884 067 455 or email davidbradbury@theambassadors.com

The Regent Theatre, Stoke-on-Trent, is operated by the Ambassador Theatre Group (ATG). Co-founded by Howard Panter and Rosemary Squire in 1992, ATG is currently the largest theatre group in the West End and separately, the second largest in the UK regions, with a total of 23 venues. ATG is also one of the country’s foremost theatre producers and has been behind some of the most successful and innovative productions in Britain and internationally.

Current and recent ATG co-productions in London and internationally include the hugely successful and critically acclaimed musical West Side Story (West End season and UK Tour); Andrew Lloyd Webber’s Sunset Boulevard; Riflemind by Andrew Upton (in association with Sydney Theatre Company); hit comedy Fat Pig by Neil LaBute; Harold Pinter’s The Lover/The Collection; Elling starring John Simm; The Gershwins’ Porgy and Bess directed by Trevor Nunn and Guys and Dolls starring Ewan McGregor.


Creative Learning at Stoke-on-Trent Theatres Ltd initiates participatory arts projects involving dance, opera and drama. Over 7,000 people have taken part in events initiated by Creative Learning during 07/08 through extensive partnership work with schools, colleges, universities and community agencies, as well as other independently delivered programmes. The hugely successful Dance Artist in Residence project has introduced high quality dance to thousands of local children since 2003, and the groundbreaking work with youth opera will continue to be developed into 2009. ACE free seat initiative will be an invaluable enhancement to the department’s programmes over the next two years.

Arts Council England works to get great art to everyone by championing, developing and investing in artistic experiences that enrich people’s lives.

As the national development agency for the arts, ACE support a range of artistic activities from theatre to music, literature to dance, photography to digital art, and carnival to crafts.

Great art inspires us, brings us together and teaches us about ourselves, and the world around us. In short, it makes life better.

Between 2008 and 2011, ACE will invest £1.3 billion of public money from government and a further £0.3 billion from the National Lottery to create these experiences for as many people as possible across the country.

There were 99 successful applicants for the free theatre scheme, representing more than 200 venues across the England. 116 applications were received, including groups of venues acting as consortia. The applications were scored against the published criteria for the scheme and scrutinised by an overview panel to ensure a good spread of participating venues across the country.

The 99 awards were made across three categories - Premium (a £50,000 grant), Standard (£30,000) and Flexible (£10,000).


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Tuesday, 16 December 2008

New Year's Eve - Hanley / Track Review: The Rebounds - Mr Zed Lister







Article
and track review
by
Ellen Argile


B
etween losing yourself in Christmas TV and frittering away your well-earned cash on presents that will be forgotten about, New Year's Eve is the perfect time to let your hair down and concentrate on number one.

For lovers of anything that features a guitar, The Sugarmill will be your haven. With three different rooms offering everything from britpop to ska (with some dance thrown in – just to keep you on your toes). With entry to the Main Room, Room 2 and the Roof Top Terrace Bar costing a mere £6, you’ll be sure to be partying until the wee hours.

If dance music is more your scene, then it’s just a short trip across the road to Hanley’s biggest nightclub – Liquid. For those of you that like to scrub up and splash out then their black and white ball themed evening is just for you. With tickets costing around £15 each you’ll definately be getting value for money, with 3 floors featuring dance, cheese and R’nB you’ll be spoilt for choice. With Envy’s lavish décor, Liquid’s hypnotising light show, and Jumpin’ Jaks' mega talented dancers, it’ll be a feast for your visual as well as your audio senses.

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Track Review: The Rebounds – Mr Zed Lister.

From the ballsy bass intro to the ear ringing drop dead ending, The Rebounds latest offering 'Mr Zed Lister' is exactly what we’d come to expect.

The vocals not as polished as it could be, but it doesn’t need it. The whole song reflects that electric, mightier than thou, almost masturbatory air. The instrumental speaks volumes in this track, in fact I’d go as far as to saying you could get rid of the vocal all together and still have a track that would be strong enough to work in its own right.

It’s good to hear that they still master the sound that no other band in their league can even get away with.

Listen: The Rebounds

Saturday, 13 December 2008

CD Review: The Vanguards - Regress / Hey You / If Only











Review
by
Steve
Dean


A
fter giving the three songs on this latest CD from The Vanguards, formerly known as Twem, a good listen, it is obvious to me that without a doubt this band possesses the songwriting skills to take them a long way, not to mention the excellent musicianship.

First track 'Regress' is a bright, uplifting song with beautifully ringing chords, well-structured solo, and some great vocals. It also made me want to listen to it again after the first hearing, as did the other two tracks, 'Hey You' and 'If Only'; the former featuring some gripping incidental drumming from Tom Bishop. The cohesion between he and the rest of the members, main vocalist Thom Twemlow and Richie Hearn on guitars and bassist Joey Jennings is extraordinary. The band sound like they have been playing together for years, when in fact they begun in their current form only earlier this year.

Overall, they put me vaguely in mind of an updated and more upbeat Crosby, Stills and Nash; that summery West Coast sound broken down to it's component parts, reformed, reworked and presented all shiny and new, but still retaining that slight but vital raw edge.

Working with well-respected producers Dave Tolan and Jim Spencer, a duo who have collaborated with such names as Primal Scream, The Charlatans and Tears for Fears, the Vanguards have forged a fresh, vibrant sound that they can truly call their own.

I am informed that the band is currently working on another four tracks, with a debut single planned for March, a follow-up single in May and a debut album scheduled for release in the Summer of 2009. A busy outfit indeed.

The band is currently unsigned and looking for opportunities at live dates, festivals and gigs generally. Further information is available from the band itself, or Louise Minter @ Blurb PR 020 7419 1221.

Listen: The Vanguards


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